2025
The Low Place
Cables, Power and Words
2024
Acoustic Territories(The Shoemaker’s Guest)
Situated Listening Modes in an Ecological Place
Song of Old Ones
An Ethnography of Chasing the Wind
Soundwalk: A Short Story of the Wind
Land, Ghost and the Rumors(2024)
Into the (re)wild(Essay)
2023
Anthropocene Sonnet
Land, Ghost and the Rumors(2023)
Re-shaping t/dunes(2023)
2022
My Neighbor K; The Peculiar Garden
Moving Air
Re-shaping t/dunes(2022)
Acoustic Territories(Fragile Lines)
2021
Inscription
Listening Performance: Flashback session / The other’s sonic experience; Bus22
2020
Aural Tectonics / Feedback Devices
2018
Fall in/out
Place: Group Exhibition <Green Shivering>, Busan Museum of Contemporary Art, South Korea
Date: 12/4/2025 - 15/6/2025
Format: Exhibiton and performance
The philosopher and ecological theorist Timothy Morton (b. 1968) offers intriguing insights into contemporary times in his book Hyperobjects: Philosophy and Ecology After the End of the World. He states that “there occurs a crazy arms race between what we know and what is,” and we have now entered “the age of asymmetry.” This suggests that the long-held belief in anthropocentric thinking as a guiding force toward a seamless future is no longer valid. Morton’s discussion prompts a renewed reflection on the complex entanglements between humans and nonhumans, as well as the uncertainties of the future.
In this exhibition, five artists from Korea and abroad—Kwak Sojin, Kim Unknown, Lee Jade Sujin, Im Goeun, and Heiner Goebbels—reinterpret contemporary ecologies through their artistic practices, responding to questions about an uncertain future. Their exploration of Eulsukdo Island, the site of the Busan Museum of Contemporary Art, extends beyond the local environment and towards a global ecological sensibility. Through experiences that shift between broad and minute perspectives and obfuscate the boundaries of reality and imagination, this exhibition challenges viewers to reconsider their presupposed beliefs.
Starting with the opening performance, the exhibition will present various related performances and workshops from May to early June, offering visitors diverse ways of approaching the themes in the exhibition.
* Exhibition text: Busan Museum of Contemporary Art
Organised by: Busan Museum of Contemporary Art
Co-curated and supported by: National Museum of Modern and Contemporary Art, Korea
Photo: Sindae Kang
<The Low Place>
Production: Noah Craft and Hosu Lee
<Performance: Barnacle Song>
Collaboration: Motion Architect